I was born in Germany's Black Forest on a midwinter night and grew up in various countries of Europe and South America. I suppose you can say that I've been around the block and seen a few things. When I recently moved to New York to expand my professional experience, I knew I was likely to find unique and astonishing things but I never expected to discover what I did, when I first walked into the Norman Thomas High School on a Monday, a couple of months ago: A Barbershop Chorus!
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Until that day, my musical references were completely different. I started with Colombian salsa and meringue, passing through the sound of Italian glass-breaking Carusos, and Swiss yodeling Heidis. But that Monday, as I was walking in to visit the chorus, the unusual sound I heard took my breath away. The unexpected harmonies hit me like love at first sight. Once I understood the amazing history behind it, and as the mystery of the expanded sound phenomenon was gradually revealed, I asked myself how I would be received in a group that had been singing together for years, sharing this unique piece of Americana.
So, not knowing what I was getting into, I attended another rehearsal. On that second Monday, I was thrown into the arena to sing in front of everyone for a voice placement. (I have always considered myself lionhearted, but at that moment, believe me, I thought I was going to be eaten alive!) And once again, a stunning surprise. I obviously didn't get eaten. Quite the opposite! Everyone was so genuinely helpful and warm and supporting that I instantly felt part of that family, and knew I wanted to join the Big Apple Chorus. So I visited them regularly, passed my audition and am proud to consider myself one of their newest members.
Now I know that it doesn't matter where you come from, how old you are, if you're black, white, green or purple, or if you grew up surrounded by Caribbean drums, Carusos or Heidis. In the Big Apple Chorus we have a simple but powerful connection, our passion for music and our deep admiration for barbershop music and its tradition.
In 1960, while Car 54 and Andy of Mayberry paraded the occasional barbershop quartet across the small screen and the impressionable eyes of the nation, this month's featured BACman, wrapped in awe and diapers, was taking it all in!
Almost every kid wants to be a policeman and those who grew up in the boroughs in the early 60s also wanted to sing doo-wop. "How can I have it all?" is what must have been going through the nascent mind of future BACman Vincent Haynes.
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The Big Apple Chorus is a Not-for-Profit organization under 501c(3)
guidelines. This means that any contributions, donations, or other
financial planning arrangements with the Big Apple Chorus fall under these
guidelines and may allow benefactors to realize positive impacts on tax
returns or estate planning. Please consider the Big Apple Chorus in these
situations. These monies will help the chorus continue to provide
entertainment and cultural events throughout the community as well as
expand on several educational and service oriented programs. For more
information on contributing to the Big Apple Chorus or on the chorus's
not-for-profit programs and offerings, please contact the chorus at
info@bigapplechorus.com.